Today Distributed Proofreaders celebrates the 10th anniversary of its Music Team, which has been helping to make beautiful music for Project Gutenberg e-books since June 17, 2004.
Founded by DP volunteer David Newman, a classical singer and voice teacher who provided dozens of music-related projects to DP, the Music Team was designed to bring together DPers who wanted to preserve more music books. Thus began a vibrant community of music-lovers, musicians and non-musicians alike, who share thoughts on finding, creating, managing, proofing, formatting, post-processing, and transcribing music-related projects.
Team discussions have wrestled with big issues, like whether and how to incorporate music transcription (i.e., creating sound files from printed music) into the DP formatting rounds, what music notation software should be the DP standard, and how to handle projects consisting solely of music notation with little or no text. DPers have conducted experiments in different methods, and the creative efforts to improve the overall transcription process continue to this day.
But these aren’t the Music Team’s only accomplishments. The team has long been a clearinghouse and sounding board for Content Providers in search of feedback and volunteers to work on important music projects. Post-Processors come to the team to find volunteer transcribers who can create sound files for a vast variety of DP projects, including children’s books and even novels. Some projects might contain some simple melodies; some might have dozens of pages of orchestral music. For projects with lots of music, team members have created “distributed transcription” systems in which any DPer with any music software can participate. One example is the delightful Traditional Games of England, Scotland, and Ireland, a two-volume set with dozens of children’s game songs, on which several Music Team members collaborated.
Music Team members also lend their expertise to answer a wide array of music questions from DPers. A project might have some arcane bit of music notation, often found in the older texts being worked on at DP. Or there might be a question whether some odd-looking notation is, in fact, a printer error. Music transcribers often ask the team to proofread (or even “proof-listen”) to the music they’ve transcribed, for accuracy or for aesthetics.
One thing is certain: being able to hear the music in an e-book enhances the reader’s experience immeasurably. Happy Anniversary, Music Team, and thanks for the melodies!