Wilson’s Tales of the Borders and of Scotland

October 22, 2014

Wilson's Tales

Distributed Proofreaders has posted the last of the 24 volumes of Wilson’s Tales of the Borders and of Scotland: Historical, Traditionary, and Imaginative. The original 66 stories were collected by John MacKay Wilson (1804-1835). He began publishing them weekly in 1834 as editor of the “Berwick Advertisor.” His unexpected death at age 31 the following year left a widow with an inadequate income. The executors of the estate and friends of the family then gathered a further 233 tales, which were published for her support. Alexander Leighton, one of the major contributors of stories, published the collection in the 24-volume set which is now complete at Project Gutenberg.

The short stories of these collections paint vivid pictures of life in the Borders — deaths and marriages, shipwrecks and celebrations, the ordinary and extra-ordinary events in the lives of people living on the edge of both Scotland and England. These details and more about the tales and the editors of the collections can be found at The Wilson’s Tales Project.

Hundreds of Distributed Proofreaders volunteers collaborated for over ten years to ensure the wide availability of these delightful and historical tales. The first volume was posted in February of 2004, and the last in September of 2014. There were several challenges facing the DP team in their effort to accurately render the tales as the editors intended. In addition to period spelling and grammar, the tales are full of words from the local dialect and dialogue modified to help the reader hear the border speech patterns. These contribute significantly both to the charm and the historicity of the tales, but also caused thousands of words in each volume to fail traditional spell-checkers and to need verification, sometimes with research. Congratulations to the Distributed Proofreaders team, who have continued the work of Mr. Wilson to preserve these stories for future generations to enjoy.

This post was contributed by a DP volunteer who worked on Wilson’s Tales.


Typesetting

October 8, 2014

Typesetting is a topic close to the hearts of many DPers, and the foundation on which the books we work on were built.

I learnt typewriting on a manual typewriter when I was at school. A classmate secured a job as an editor with a magazine based on the skills she learnt in the course we were doing. I was so envious! Editor on a magazine, with no work experience, and no qualification. A few years earlier, when asked by a teacher what I wanted to be, I replied I wanted to be a journalist, not because I wanted to be a writer, but because I wanted to work on newspapers, with those monstrous printing presses and the glorious smell of ink, and fiddly bits of lead.

I did manage to become a journalist and editor, but the huge presses were ageing, and typesetting was becoming regarded as no more than wordprocessing on a computer. I remember being chastised for the miles of galley paper that spewed out of the printer one time when I forgot to close off the heading command properly and ended up with a whole article in 72-point Times, a somewhat expensive mistake as rolls of galley proof paper were not cheap.

setting type

Working on the book, Typesetting, by A. A. Stewart, for Project Gutenberg, I couldn’t help but reflect and wish I could have been an apprentice hand compositor and daydream about what the publishing industry must have been like when each character had to be manually placed in the composing stick; when the characters of each font were housed in separate type cases; when measurements for line lengths, page sizes, and margins, had to be mentally calculated quickly and accurately; when justification of lines was achieved by manually placing a mix of different space widths characters (and even resorting to “pieces of paper or thin card” if metal thin spaces were not at hand).

type case

Imagine being able to set type and be able to read the text upside down; to have the dexterity to take a piece of type from the case and place it in the case; to proofread the lines of type and correct mistakes before justifying the lines.

upside down

How arduous the correction process, where “Simple errors like the exchanging of one type for another of the same width, the turning of an inverted character, or the transposition of letters or words, are corrected by pressing the line at both ends to lift it up about one-third of its height and picking out the wrong types with the finger and thumb. The line is then dropped in place and the right types put in.”

Not to mention having to wash the type and placing each character back into the proper slots in the proper cases, so that the type pieces could be used over and over.

Sitting at my computer, selecting fonts, messing about with HTML and CSS coding, I still want to be an apprentice hand compositor. “Typesetting, a primer of information about working at the case, justifying, spacing, correcting, making-up, and other operations employed in setting type by hand”, is an excellent training manual that gives me an insight into what I would have been doing had I been able to achieve my dream.

This post was contributed by a DP volunteer.


Introducing . . . Harrison Ford! (1918 Edition)

September 24, 2014

cover

I was looking for an online copy of The Cruise of the Make-Believes by Tom Gallon to find out if a certain bit of punctuation was a colon or semi-colon (semi-colon, by the way), and, as one does when Googling, I found other links with the same title: one was to Turner Classic Movies and another to the Internet Movie Database. Yes! My book was turned into a movie in 1918. A silent movie!

I pointed the link out to a friend, and she noted who one of the leading men was: Harrison Ford. Now we both knew that in 1918, it wasn’t Han Solo or Indiana Jones or the President. Time for more searching.

This not-at-all make-believe Harrison Ford was born in 1884 in Kansas City, Missouri. He started in the theater on the east coast before moving to Hollywood in 1915. He was in over forty films. His final was his only talkie, Love in High Gear, which was released in 1932. He then took his career back to the stage and also began directing there. During World War II, he toured with the USO. He died in 1957, without having had children, and is no relation to that other Harrison Ford.

Harrison Ford

One of his hobbies was collecting old books . . . a man after DP’s own heart. I’ve no idea why this book was chosen to be made into a movie. It seems no better nor worse than any of our other romances. Old books, you just never know where they will take you. This one took me on a hunt to find the first dreamy Harrison Ford.

You can read more about this Harrison Ford here or here or here, all of which I used for my information with gratitude.

This post was contributed by a DP volunteer.


Wednesday the Tenth: A Tale of the South Pacific by Grant Allen

September 10, 2014

Picture of Book Cover

I wanted to tell you about an excellent adventure story, published in 1890, that I read recently.

The book is Wednesday the Tenth: A Tale of the South Pacific by Grant Allen. To be honest, I picked it up because it was short and I wanted something that would be easier and quicker to read than my usual fare. I’m glad I did, though, because it was an exciting and suspenseful tale that had me enthralled to the end.

It starts with a rescue, when two boys in an open rowboat are discovered in the middle of the Pacific Ocean by a steam yacht plying its trade among the islands (yes, I know that’s a sailing boat on the cover, but it is definitely a steam vessel in the book). They are the children of missionaries and they tell a harrowing tale of slave traders who get the locals drunk and rouse them up against the family, after the father thwarts the slave traders’ attempts to get the locals to sell people to them.

The family are taken prisoner and held by the locals who plan to kill them—and then eat them. The boys manage to escape and set to sea in the rowboat, in the hope of finding help.

In this excerpt, the boys have just been picked up by the yacht and the crew have given them a small amount of food and water (not too much as they are literally starving). The older boy is already lying unconscious on a bunk and the younger is about to follow him, but manages to utter a few words:

“Steer for Makilolo … Island of Tanaki … Wednesday the tenth … Natives will murder them … My mother—my father—Calvin—and Miriam.”

Then it was evident he could not say another word. He sank back on the pillow breathless and exhausted. The color faded from his cheek once more as he fell into his place. I poured another spoonful of brandy down his parched throat. In three minutes more he was sleeping peacefully, with long even breath, like one who hadn’t slept for nights before on the tossing ocean.

I looked at Jim and bit my lips hard. “This is indeed a fix,” I cried, utterly nonplussed. “Where on earth, I should like to know, is this island of Tanaki!”

“Don’t know,” said Jim. “But wherever it is, we’ve got to get there.”

Wednesday the tenth of the month is when the sacrifice is scheduled to happen. The boys are convinced it’s Friday, but the sailors on the yacht are equally convinced it’s Saturday. Even so, the yacht’s captain gives orders to make for the island at full speed, sure they’ll make it in time.

Now, obviously, all doesn’t go as smoothly as anticipated or there wouldn’t be a book to read. As they get close to their destination they run aground on a reef that isn’t where the charts say it should be.

… Jim, looking up from in front, with a cool face as usual, called out at the top of his voice, but with considerable annoyance, “By Jove, we’re aground again!”

And so we were, this time with a vengeance.

“Back her,” I called out, “back her hard, Jenkins!” and they backed her as hard as the engines could spurt; but nothing came of it. We were jammed on the reef about as tight as a ship could stick, and no power on earth could ever have got us off till the tide rose again.

Well, we tried our very hardest, reversing engines first, and then putting them forward again to see if we could run through it by main force; but it was all in vain. Aground we were, and aground we must remain till there was depth of water enough on the reef to float us.

They get off the reef, but the yacht’s damaged, and they’re running out of time. Between engine troubles, the tide and a contrary wind will they make it before the missionaries are killed and eaten?

You’ll have to read it yourself to find out.


Across America by Motor-Cycle

August 21, 2014

I proofed a lot of Across America by Motor-Cycle, by C.K. Shepherd, but from time to time other pesky proofreaders would grab some pages, so I was happy when it was posted to Project Gutenberg and I could at last read the entire book.  The author was an Englishman who decided just after World War I to ride “across America by motor-cycle,” going from New York to San Francisco. Not something that would raise too many eyebrows these days, but back then there were very few paved roads. “Ninety-five per cent. or more, however, of America’s highways are dirt roads, or what they are pleased to call ‘Natural Gravel.’ In many cases they comprise merely a much worn trail, and as often as not a pair of ruts worn in the prairie. Very often, instead of being a single pair of ruts, there are five or six or perhaps ten, where individual cars have manifested their own personality. When this multiplicity of ruts crosses and re-crosses in a desperate attempt to achieve the survival of the fittest, the resultant effect on the poor motor-cyclist is somewhat disconcerting.”

Things aren’t much better in the cities: “I have seen places in Broadway where the tram-lines wander six or seven inches above the surface of the road and where the pot-holes would accommodate comfortably quite a family of dead dogs within their depths.”

“There are two classes of roads and two only. They are good roads and bad roads. Any road, anywhere, in the whole of the United States of America (and, I presume, her Colonies as well) is a ‘good’ road if you can ‘get through.’ The remainder are bad.”

Lizzie

“Lizzie” in the Petrified Forest, Arizona

Of course these roads were a little rough on his motor-cycle (nicknamed “Lizzie”). He bought it new in New York: “The machine was entirely overhauled on four occasions between the Atlantic and the Pacific, and on three of these by the recognized agents of the manufacturers. The engine cut-out switch was the only part of the machine that did not break, come loose, or go wrong sooner or later. I was thrown off 142 times, and after that I stopped counting! Apart from that I had no trouble.”

Protective gear? “I dispensed entirely with the use of goggles from beginning to end, and except at stops in large towns on the way I wore no hat.” No, they hadn’t heard of helmets back then!

The book describes his journey across country, and makes very entertaining reading, although the author does state, “The journey was comparatively uneventful. I never had to shoot anybody and nobody shot me! In spite of the relative wildness and barrenness of the West, there were always food and petrol available in plenty. I spent most nights at the side of the road and experienced neither rheumatism nor rattlesnakes.”

This post was contributed by rpc, a DP volunteer.


Celebrating 28,000 Titles

August 16, 2014

Celebrating 28.000 titles posted to Project Gutenberg by Distributed Proofreaders.

Distributed Proofreaders has posted its 28,000th title to Project Gutenberg, The Mystery of Choice, an 1897 collection of short stories by Robert W. Chambers.

Thy Mystery of Choice - CoverChambers, who was born in Brooklyn, New York, began his career as an artist, and spent his early twenties in Paris, where his work was exhibited at the 1889 Salon. He came back to New York and found work as a magazine illustrator, but soon turned his hand to writing. He had his first and best success with The King in Yellow, a collection of supernatural tales that is said to have influenced H.P. Lovecraft and other noted writers of the horror genre.

The Mystery of Choice continues the horror theme with seven tales of murder and the macabre, some set in the atmospheric Brittany region of France. The collection also contains some of Chambers’s poetry, and concludes with a florid love-poem, “Envoi.”

Congratulations to the Distributed Proofreaders team who made this milestone possible!

 


Invaders from the Infinite

August 7, 2014

On May 14, 2014, my adventure into a renewed interest in science fiction began. A Distributed Proofreaders volunteer had started a forum thread that requested information about the title of a science fiction book about dog-like invaders of earth. He could not remember the title of the book. Now, I forget titles too, especially to old songs and books of ancient (well, 30 to 50 years ago) fame. I guess this happens to other people too, because there were several posts from people who tried to help. Finally another volunteer answered with a post saying to try Invaders from the Infinite, by John Campbell. The first volunteer answered that it wasn’t the right book, but that he was adding it to his reading list. That settled it: if the book was good enough for them, it was certainly good enough for me.

Invaders cover

The adventure began. I downloaded the book in Kindle form and put it on my Kindle on May 25, 2014. By May 27, I had read it; and in it I traveled from earth to the far end of the galaxy, and then beyond the present universe as we know it to a distant, far distant place of huge suns and planets.

The story begins innocently enough. An earth-guard space ship is approached by an alien ship whose occupants are telepathic creatures who have evolved from a canine race. They gather information from the pilot about earth and streak on to New York City. There they meet the trio of Arcot, Morey, and Wade, who happen to have a research ship that can also be made into a first-class fighting vessel. It turns out that the world of the telepathic people is being attacked by aliens who also have the location of earth and another world in its war plans. Can earth help? And instead of waiting for the politicians to OK an expedition, the Triumvirate decides to go themselves.

The planet of the telepathic people is preparing for war with the only weapon they have. Arcot and his companions help to improve the weapon and duplicate it, so that they can leave the world to help other planets and search for more weapons with which to fight an almost invincible enemy who seems intent on eliminating all intelligent life other than their own. Their adventure takes them to the far corners of the galaxy and immerses them in a dirty war, which forces them to develop their own weapons to a point where they can build a new and more powerful ship that can harness the energy of the universe.

Invaders from the Infinite was released to Project Gutenberg on December 20, 2006, as e-book #20154. I would recommend the book to anyone with an interest in physics, cosmology, or just science fiction.

This post was contributed by Quentin Johnson, a DP volunteer.


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